I’m so very glad that I decided not to read this series as soon as it came out, because it’s been great being able to read three books back to back and not have to wait a year for each one to be released.
This book definitely ramps up the excitement factor from the first two books, it seems like there’s a lot more going on, and it feels much more tense.
The crossroads which have been mentioned so often throughout the series are suddenly the centrepiece of the story, as people start to turn up at the crossroads and kill themselves. It’s just a tad scary for everyone living in the town, and it seems like it’s down to the vampire Lemuel to discover what’s causing this terrifying turn of events. And when Fiji starts hearing a terrifying voice, it seems like her witchly powers are going to be called into action too.
I definitely enjoyed the more action-packed nature of the book, as well as the fact it kept me on the edge of my seat trying to figure out if they’re going to discover the secret in time and save the town and its residents (new and old).
But the ‘ritual’ that Fiji has to go through in order to stop the menace felt wrong to me. It didn’t feel natural to the story and it felt kind of like Harris had wanted to shove back in some of the more racy scenes that were prevalent throughout the Sookie Stackhouse novels but had been missing from these books so far. But I’d much rather Fiji have got together with her chosen partner in a more natural way, this just made me cringe all over.
It didn’t ruin the whole book for me, but it put a major dampener on how much I enjoyed the finale, and made me less likely to want to read the next book in the series (if there will be one).
After the end of the first book in this series, I didn’t even wait ten minutes to pick this up as I was desperate to find out more about the other characters in the town of Midnight, Texas.
And I wasn’t disappointed. Although Manfred, Fiji and Bobo still seem to be the main characters in this story, we learn an awful lot more about the secrets that the other characters are hiding. But Bobo manages to stay out of the spotlight in this book and the spotlight is very heavily turned on Manfred and Olivia, after one of Manfred’s clients dies during a consultation and two people that Olivia was seen having dinner with in the same hotel also wind up dead.
It seems like Olivia may be a more dark character than we first imagined, but I won’t go into too much detail and spoil it for you! I will just say that I don’t think we’ve quite learnt all there is to learn about Olivia, and I think there’s probably more to come in subsequent books in this series.
We also meet new characters in this book, including a familiar face from the Sookie Stackhouse novels, Quinn the weretiger. And he brings a young boy with him who he says is his son, but he’s growing at an alarming rate, and pretty soon the residents of Midnight realise that it’s the worst possible moment for the spotlight to be on the town after these murders, the last thing they want is more people hanging around!
As with the first book, the goodreads reviews seem to be overwhelmingly negative, but I’d take them with a pinch of salt. If you like Charlaine Harris, you’re bound to like this book, just don’t expect it to be quite as fast-paced as the Sookie books, it’s a bit more sedate than that (but still keeps you turning page after page).
It’s no secret that I love Charlaine Harris, I think I’ve read over 30 of her books now. But this one has been out for a while and I’m not quite sure why I hadn’t bought it yet. Maybe I knew that once I started reading, one book wouldn’t be enough, because I bought the first 3 all at once.
In this book, you can kind of tell that there’s a lot of setup going on for the next books that will be released, as it does take quite a lot of time before any of the ‘action’ starts, but that’s not to say that the setup is uninteresting. We’re introduced to Manfred, who has newly moved into the town of Midnight, a small underpopulated town in Texas, where most people only stop long enough for the traffic lights to change at the crossroads.
But what was lovely was that Manfred comes from the Harper Connelly books of Harris’ that I previously loved, and I really like the fact that this is a bit of a crossover. Lily Bard from the Shakespeare mysteries also gets a mention too.
What was surprising for a Charlaine Harris novel was that the romance was at an absolute minimum. I kept expecting something to happen between Fiji and one of the other characters, but nothing ever did. Very weird, but not entirely unwanted, I sometimes think that the ‘romance’ can get in the way of the rest of the story.
I’ve been reading the reviews on Goodreads and it seems like this book is getting slated pretty heavily, but I definitely don’t agree with that. It doesn’t have the excitement and drama of the True Blood series, but I really like the more laid-back feel of this book, like the Lily Bard or Aurora Teagarden books.
I can’t wait to find out what happens in the next book, and find out more about some of the strange characters that live in Midnight. I’m sure that’s going to unravel very quickly!
Well this was rather different to what I expected. I’ve read a lot of Charlaine Harris books, I think Goodreads said 32 at last count(!), but this was different from the other murder-mystery novels of hers that I’d read.
For a start, the main character Nickie is beautiful, a supermodel from New York in fact. But when her agent tells her that she’s past it, she decides that she will move back to her home-town,. move in with her old childhood friend and finish college before deciding what to do next.
So it’s a bit surprising that although Nickie has never experienced any violence or anything in New York, she hears that a student was raped on the college campus shortly before she arrived. And when a lecturer at the college is raped too, it looks like it wasn’t a one-off occurrence.
This is where things started to deviate from what I was used to from Harris. Usually, the main character decides to investigate the crimes herself because she has a personal connection to the victims, but Nickie isn’t too overly concerned with the crimes until she is raped too, when someone breaks into her bedroom at night. She’s understandably left traumatised, but together with Barbara, the lecturer who was also a victim, they decide to try and narrow down the list of possible culprits, convinced that the culprit knew them personal, they use a process of elimination to get the list down from a few hundred people, eventually dwindling down to just six.
But when Nickie becomes convinced that the culprit is her housemate’s father, not to mention the father of her new love, how can she possibly be sure before anyone else gets hurt?
But as with all Harris books, the ending was given a little twist, and things were not quite as straightforward as you thought they were. The only thing that niggled me was the reason that the culprit gave for committing the crimes, it just seemed very petty to me and not really in line with everything that had happened.
Regardless, I found myself turning page after page until I was finished, unable to put the book down until I found the identity of the guilty man. I think the fact that the main character was affected by the crimes made more of a connection with the book, you could feel her pain and anguish coming through the pages at you, leaving you as determined as she was to figure out what was going on, and desperate to figure it out before anyone else could feel the pain that she had.
Unfortunately, I think I’ve now read all of Harris’ books. I’ll be waiting eagerly for her next novel to be released!
If you’ve been following my blog for a while, it probably won’t be much of a surprise to learn than I absolutely adore Charlaine Harris. I thought I’d read all her books until I was at Waterstones and spotted this double bill, which I think was her debut! The first book (Sweet and Deadly) was released in 1981!
I have to say, this really comes across in the book. Not that it makes it any less enjoyable to read, but there are certain parts where you think ‘Why doesn’t she just do xxx’, then you realise that xxx doesn’t exist yet! For a start, Catherine works for the local newspaper, but still uses a typewriter. Then there are the references to ‘the black part of town’, and the way that Harris refers to non-white people in her book may have been how it was back in the southern states of america in the 80s, but it all feels a little bit off in 2014.
As you can probably imagine if you’ve read any of Harris’ other books, the main character is a young girl without parents, short, plain looking and unlucky in love. But as usual, she comes into her own throughout the course of the book, deciding to give herself a makeover and finding a guy who seemingly loves her for who she is.
If only she hadn’t just found the reads body of her father’s old nurse. And if only she didn’t think that the death of the nurse and the deaths of her parents were somehow related. And if only she didn’t think she could do a better job of investigating that the police.
I did really like the book though, I love the style of Harris’ writing and the laid back style of crime fiction, not quite as hard hitting or fast paced as some more modern crime fiction. The book did seem quite short, although I read it on Kindle since it was much cheaper, so I don’t know how many pages it actually was. To me, the ending felt slightly rushed , all of a sudden, Catherine knows exactly who the killer is, and we have to wait while she runs to confront the killer until all is revealed.
But as this was Harris’ debut novel, I think we can understand why it may not be quite as fluid as her later novels, but it was still very much an exciting read.
Well it’s finally here, the last book in the Sookie Stackhouse series. After the last book was left on such a cliff-hanger, I had no idea what was coming in this one, but I had a pretty good idea how I wanted it to finish. But in true Charlaine Harris style, nothing is ever quite how I wanted.
Things aren’t going well for Sookie in this book, Eric is freezing her out and she doesn’t know why. Her ex-friend Arlene shows up after being released from prison and wants a job at the bar where Sookie is now part owner, and then a murder rocks the town, and Sookie is arrested. There is no evidence, but the police chief is pretty adamant that she should be in prison. Never-the-less, she is released on bail, and promptly starts her own investigation into what happened.
Things are wrapped up quite nicely in the end. When I first read it, I didn’t think it ended how I wanted it to end, but looking back now, I think it was right. The main question was always going to be which man Sookie ended up with, and we should really have known it right from the start, 13 books ago.
As I expected, I really loved this book. It was fast paced, and full of the usual mix of action and romance that I have come to expect from these books. Harris definitely did not disappoint, the only disappointing part is that this is the last one. But now I’ve got all 13, I will probably read them all in series at one point, it would be nice to go all the way through without waiting a year between books.
Well I set my self a lofty total of 100 books in 2012, which turned out to be a little too high. I made it to 67, but I’m still quite happy with that. I started off the year with the best intentions and I managed to keep up until about June. And then Cameron moved back from Huddersfield and I was round at his house or going out more often, and the books kind of stopped flowing (I only read one book in July). I managed to pick it up again a bit later in the year but it wasn’t enough.
I’ve really enjoyed it though, I’ve tried a lot of books this year that I would never have thought to read thanks to recommendations from awesome people, sci-fi and fantasy are two genres that I’ve never really read before but will definitely be trying again.
Best Book You Read In 2012? (You can break it down by genre if you want) I think this comes down to two. For pure magicallity and captivation, I’d pick The Snow Child by Eowyn Ivey. It was completely different to anything I’d ever read, but the story of little Faina was both mesmerizing and heartbreaking at the same time. In terms of hard-hitting plots and something that stuck in my head for long after I finished reading, I’d pick When She Woke by Hillary Jordan. The plot wasn’t easy to read, but extremely well written and brilliantly thought provoking.
Book You Were Excited About & Thought You Were Going To Love More But Didn’t? The Corrections by Jonathan Franzen would definitely qualify for this. It was the first book I read this year and didn’t really set the tone right for the other 99 books I planned to read. Since I’ve read it I’ve heard a lot about Franzen and how good he is supposed to be, but I found this book way too long and I just couldn’t get any connection to the characters. I’d had high hopes for the book but it left me feeling very disappointed.
Most surprising (in a good way!) book of 2012?
This would definitely be Century Rain by Alastair Reynolds. I was leant this book with the assurance that it was really good, but I’d never read any sci-fi before and I had no idea what to expect. But it was amazing, fast paced and full of nail biting moments that kept me gripped until the end. I’ll definitely be reading more Reynolds this year.
Book you recommended to people most in 2012?
This would probably be The Hunger Games (I, II and III). I loved it when I read it and a few people I know have also read it and enjoyed it too, including my dad who usually reads sci-fi and crime books, but loved how easy to read the trilogy was.
Best series you discovered in 2012?
This would probably be The Hunger Games too. I loved it when I read it, and the only other series I have read this year were by Charlaine Harris (Lily Bard and Aurora Teagarden), which were less enthralling that I expected.
Most thrilling, unputdownable book in 2012?
This was definitely When She Woke by Hillary Jordan. The plot was so shocking and so different from what I’ve read before, but also so heart-wrenching that I just couldn’t put it down once I’d started reading.
Book You Read In 2012 That You Are Most Likely To Re-Read Next Year
Considering the length of my ‘to-be-read’ list, I don’t think I’ll be re-reading any books next year. Not because I don’t want to, but because I’ve got so many more books waiting for me!
Favorite cover of a book you read in 2012?
If we’re talking about favourite appearance of a book, I’d say either The Night Circus by Erin Morgenstern, with it’s lovely black-edged pages and beautiful artwork, or When She Woke by Hillary Jordan with it’s striking picture of a girl staring at you, combined with the bright red-edged pages.
Most memorable character in 2012?
This would have to be Bilbo Baggins from The Hobbit, although this is probably combined with the fact that the film has just come out too. But I loved that I got to know the character before I saw the film, whereas I’ve already got a fairly good picture of The Lord of the Rings, so when I read it earlier it won’t be my own creation.
Book that had the greatest impact on you in 2012?
This is a hard one. I’d say it was probably The Five People You Meet in Heaven by Mitch Albom. It made me think a lot about the impact you can have on other people with even the smallest actions.
Book you can’t believe you waited UNTIL 2012 to finally read?
Definitely A Christmas Carol by Charles Dickens. I’ve really got no idea why I’ve never read this before but it was great to finally read it.
Favourite Passage/Quote From A Book You Read In 2012?
This would definitely be from The Five People You Meet in Heaven by Mitch Albom: “Learn this from me. Holding anger is a poison. It eats you from inside. We think that hating is a weapon that attacks the person who harmed us. But hatred is a curved blade. And the harm we do, we do to ourselves.”
Book That Had A Scene In It That Had You Reeling And Dying To Talk To Somebody About It?
Not much really springs to mind for this question, but I did have to talk to my friend straight away at the end of Mockingjay by Suzanne Collins, because it didn’t end how I expected it to!
Favourite Book You Read in 2012 From An Author You Read Previously
Definitely Deadlocked by Charlaine Harris – one of my favourite authors and the latest book in the Sookie Stackhouse (True Blood) series did not disappoint.
So that’s my 2012 reading challenge over, not quite as successfully as I hoped but I’ve discovered some amazing new authors and tried books that I never would have dreamed of trying. Next year, I’m not going to aim for a specific number, but I do have in mind a lot of books that I want to read. Some longer ones that I couldn’t read this year (like LOTR and Anna Karenina), and some classics that I want to try, like Little Women etc. I’ve got a list of the top 200 books as voted by BBC readers. The list was voted in 2003, but it contains a lot of books that I do want to try, so my aim is to fill up this list a bit. I’ve read 49 from the list so far, so lets see how far I can get!
If you had a reading challenge last year, or you’ve set yourself one this year, let me know in the comments below!
I’d somehow managed to convince myself that I’d already read this book, so every time I’ve seen it in Waterstones I’ve just ignored it. But last week I realised that I’d not actually read it yet, so I had to buy it and read it straight away – the Sookie Stackhouse (True Blood) series is my favourite set of books.
Once again, Harris has written a book that keeps you enthralled from beginning to end, I just couldn’t put it down. Like all books by Charlaine Harris, there’s a bit of repetition at the start of the book as she re-introduces the main characters and gets you up to speed on what has already happened in the past 12 books(!). It would be good if you’d picked up this book without reading any of the others, but it does get a tad annoying when you just want to dive straight in to the story.
Speaking of stories, this one packed a punch! There’s trouble all around for Sookie, with her vampire husband Eric supposedly now betrothed to another (very powerful) vampire as the last wish of his now-deceased maker, with no apparent way of getting out of it. Then Sookie is summoned to Eric’s house to meet the vampire King Felipe of Nevada and his entourage, expecting punishment for killing Victor, regent of Louisiana. But Sookie is (without her knowledge) told to arrive late to the party, and turns up just in time to see Eric feeding off another two-natured woman, who has apparently used fairy blood to make herself irresistible. And when this woman turns up dead on Eric’s lawn a short while later, there are no shortage of suspects.
Add into this the fact that Sookie is now part owner of Merlotte’s grill, dealing with her fairy relatives living in her house, and also trying to conceal the presence of the magical Cluviel d’Or that she was left by her grandmother and she’s not having an easy time. And it all takes a big twist when she realises that her fairy cousin Claude may not be quite as loving as he may seem.
As with all of Harris’ books, the drama starts about 3 pages into the book and builds up and up and up until it finally explodes with a bang in a dramatic finale. The Cluviel d’Or (a magical object that grants the owner one wish) is used in the most unexpected way, which saves one of Sookie’s loved ones but also creates a new worry for another, who was maybe expecting that Sookie would use it for him. So the book (as usual) ends up on a bit of a cliffhanger, which is quite frustrating as the next one doesn’t come out for another 6 months!
If you like True Blood or any kind of supernatural/fantasy, then I’d really recommend this series of books – but if you’re expecting sparkly vampires like Twilight, you’ll be disappointed (or enlightened).
Finally the last book in this 8 book series. I’ve got mixed feelings over it ending, because although I’ve really enjoyed the series and I quite like the main character, I can tell that it’s not Harris’ best writing, and I’d much rather read the Sookie Stackhouse books (again).
This book starts off with Roe’s step-sister-in-law being murdered in her own house. Roe and her other step sister are going over to confront her for not turning up to a meeting of the ‘Uppity Women’ (don’t ask). When they get to her house, they find her on the floor, brutally stabbed. Over the course of the book, we learn that Poppy (and likewise her husband) were not exactly committed in their relationship, carrying on other relationships with many people in the town. Which of course gives us plenty of suspects for her murder, jealous women, and men who think the cat might be let out of the bag.
The plot was brilliant, a very well written murder mystery. Every time I convinced myself that someone was guilty, I turned out to be completely wrong. In the end, the guilty woman (or man) was not someone that I had ever suspected, but completely obvious now that I know.
There were a few things that I didn’t like about this book, mainly the fact that Roe discovers that she is pregnant. Harris made a big point through the last 3 books to bring up the fact that Roe can’t have children every few chapters, so the fact that Roe is pregnant seems to be an attempt to end the series on a ‘happy ever after’ note. Although it was pretty nice, it just seemed quite odd, a little like it was tacked on as an afterthought.
But apart from the few niggles that I had with the book, it was a very good end to a series that for me was a bit up and down. Not the best series I’ve ever read but one that kept me wanting to read until I’d finished.
This book starts off a few months after the end of the last one, with Aurora still grieving the massive loss at the end of the last book. She decides that she has had enough of living her life under a cloud of misery and that she needs to start getting back to normality. How convenient, then, that her old flame Robin gets in contact with her and wants to meet up.
At first, she thinks it’s because his new movie (which incidentally is based on the murders that she uncovered in the earlier books) is filming in her town, but it turns out that he really did just want to see her. I guess you can probably tell what happens over the course of the book, with Aurora falling for Robin all over again, and getting over Martin by getting under someone else…
Unusually, it’s not actually Aurora that discovers the dead body in this book, but she still ends up front and center. Seriously, if I was involved in this many murders, I’d consider moving to a remote island to live by myself. The victim this time is the lead actor in the movie, who happens to be playing the character of Aurora and was recently dating Aurora’s old flame Robin. Aurora also has to cope with a weird new employee at the library , discovering a terrible secret at the end of the book and leading to yet another murder.
But of course, even though she’s not the police, or even a private detective, she still manages to be the one who identifies the murderer, like a normal member of the public would be able to consistently solve crimes faster than the police. But I suppose you have to accept some far-fetchedness when you’re reading a murder mystery series, kind of like Midsomer Murders.